Howells William Dean
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This carefully crafted ebook: "A Traveler from Altruria & Through the Eye of the Needle (Dystopian Classics)" is formatted for your eReader with a functional and detailed table of contents. Set during the early 1890s in a fashionable summer resort somewhere on the East Coast of the United States, A Traveler from Altruria is narrated by a Mr Twelvemough, a popular author of light fiction who has been selected to function as host to a visitor from the faraway island of Altruria called Mr Homos. In the novel, the island state of Altruria serves as a foil to America, whose citizens, compared to Altrurians, appear selfish, obsessed with money, and emotionally imbalanced. Mainly, A Traveler from Altruria is a critique of unfettered capitalism and its consequences, and of the Gilded Age in particular. Through the Eye of the Needle is a Utopian novel that follows A Traveler from Altruria. Howells casts this book in the form of an epistolary novel — a form favored by some other Utopian and dystopian writers. Aristides Homos, Howells's Altrurian protagonist, writes a series of letters home to his friend Cyril. Homos is now located in the densely urban environment of New York City, where he confronts the contrasts between America c. 1900 and his own pastoral and agrarian Utopianism in their most extreme forms. The dramatic center of the book is the love affair between Homos and Evelith Strange, a wealthy widow of the American plutocracy. William Dean Howells (1837-1920) was an American realist author, literary critic, and playwright. Nicknamed "The Dean of American Letters", he was particularly known for his tenure as editor of the Atlantic Monthly as well as his own prolific writings, including the Christmas story "Christmas Every Day", and the novels The Rise of Silas Lapham and A Traveler from Altruria. Howells is known to be the father of American realism, and a denouncer of the sentimental novel.
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"A Woman's Reason" is certainly one of the most ambitious novels Mr. Howells has written, not merely because it is so long, but because the author has reached out for effects which he neglected in his earlier books. It is not a radical departure from his established methods, but it indicates a larger and broader conception of the scope, the opportunities, and the resources of his art. The story of Helen Harkness's struggles has an enduring claim upon every reader's sympathy, the incidents of the book are spirited, and the movement is alert, vigorous, and at times highly dramatic in its surprises and suspended interest. The author is so loyal to his heroine that she is rarely permitted to disappear from the scene, but such constancy denotes a steadfastness of purpose and leads to a concentration of interest; this method is always artistic if it can be sustained without becoming tiresome, and there are few para graphs in "A Woman's Reason" which even one who reads for the story alone will care to skip. The keynote is sounded within the first few pages, but the revelation of the motive does not clog the interest of development, and the intelligent reader is the more gratified because the author has paid him the compliment of taking him into his confidence. The story is that of a Boston girl who has been reared without any thought of possible necessity for self-support, is left almost penniless at the death of her father, and surrenders voluntarily the small remnant of the paternal estate to which she had a perfect legal title in order to satisfy her own high sense of principle. She refuses to be de pendent upon friends, and she is separated from her sweetheart by a misunderstanding for which she was to blame. These are conditions which could be made heartrending or sensational, according to the treatment there of; Mr. Howells has the delicate art of making them interesting and sympathetic without straining the probabilities or exciting morbid sentiment.
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Mr. Howells' latest novel deserves and will receive wide reading. It deals with a problem which had found its way into American social life of his time: "How will a cultivated and beautiful woman feel if she discovers that she has a tinge of negro blood in her veins? How will other people, particularly her lover, feel and act?" Mr. Howells works out the problem with skill, on what seem to us sound lines of reasoning. 'An Imperative Duty' is so mature a work, and so good an example of the author's method, that it invites the closest scrutiny. It is written with his usual acuteness and cleverness, but with even more than his ordinary amount of self-consciousness. He is continually trying to say clever things, and he seems here a kind of intellectual conventionalist ; we feel that he would commit a minor crime rather than fail in the proper tone. As one reads he plants his feet as circumspectly as in threading his way in a crowded parlor where trains abound. One is exhausted in the effort to keep up to the author's intensely self-conscious key. It is too much like the brilliant persiflage of a dinner-party when everybody means more than he says and challenges his listeners to see the target at which he is really aiming. The glow and "fling" of high creative work are thus rendered impossible to the author, and the reader falls into a hyper-critical state of mind. Mr. Howells is at his best when describing distinctive American types. The cultivated Frenchman and the cultivated American are much more alike than are the Frenchman and the American on lower levels; and when a writer selects his characters from Beacon Street and the "Cours la Reine" he has less opportunity to be picturesque than when he deals with Hanover Street and the "Quartier Latin." Mr. Howells is an artist of the first order like Henry James. He works by rule, and the result is the product of high talent.
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'An Open-Eyed Conspiracy' is an extremely delightful book, and delightful in a way in which many American writers have long striven, and are still striving to attract, or distract, the attention of their readers, but in which Howells alone can be said to have attained distinction. He represents an element in the character of his countrymen, literary and otherwise, which may be roughly described as a sleepless sense of humor, which expends itself in some minds in large exaggerations of thought and speech, in others in the invention of tumultuous incidents and the horseplay of practical jokes, and in others in the exploitation of dialects, Eastern, Western, Southern, which never obtained anywhere, the vagaries and absurdities of bad grammar and worse spelling. Mr. Howells is a humorist of a higher kind —of the highest kind, we venture to think— not so much, perhaps, because his intellectual gifts are more abundant than theirs as because he has a clearer idea of their legitimate value and of the uses to which they should be put, because he is a student of humorous literature in its entirety and its specialties, and, more than all, a thoughtful, skillful master of the literary art. With the exception of Washington Irving, he is the only American man of letters of a humorous kind whom it is always a pleasure to read for the sake of his literature, which fulfils all the conditions and violates none of the minor morals of good writing; it is easy and exact, elegant and felicitous, individual and scholarly, and with a certain unpremeditated charm which defies analysis. Primarily a humorist, he is more than a humorist in his novels, and more than a humorist, pure and simple, in his lesser studies of American life and manners, of which 'An Open-Eyed Conspiracy' is a fine example. He calls it 'An Idyll of Saratoga', a sub-title which suggests rather than describes the class of productions that it illustrates. It is more than an idyll, as the phrase is commonly understood, so much more, and so different in some respects, that it might not be amiss to call it a comedy instead. It is jeweled with the liveliness of movement and the lightness of truth which is the life of comedy. The characters are sketched rather than drawn, hinted rather than painted; the situations are amusing, and not too provocative of doubt as to their ending, and here and there are little touches of satiric fun, unexpected gleams of wit, which add a sparkle to the freshness and gayety of the whole. No one who has seen, even casually and without reflection, the kind of hotel life which forms the background of this pretty summer play can fail to perceive the fidelity with which Mr. Howells has transferred its spirit to his pages; the closeness of his observation and his enjoyment of it for its own sake. Like the angler of whom Walton tells us, he handles his worms as if he loved them. A kindly, gentle nature and a satisfying writer, Howells is at his best in this 'Open-Eyed Conspiracy.'
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In 'An Open-Eyed Conspiracy' by William Dean Howells, the author explores the social and political landscape of America in the late 19th century. The book delves into themes of corruption, moral dilemmas, and the clash between idealism and practicality. Howells' writing style is characterized by its realism and attention to detail, offering a nuanced portrayal of the complexities of society during this time period. Through its rich narrative and character development, the book sheds light on the inner workings of political power and the motivations behind human behavior. 'An Open-Eyed Conspiracy' is a thought-provoking and insightful read that provides a deeper understanding of the challenges faced by individuals navigating a rapidly changing world. William Dean Howells, a prominent literary figure of the late 19th century, drew upon his own experiences and observations to write this compelling novel, showcasing his keen insight into human nature and societal dynamics. I highly recommend this book to readers interested in exploring the complexities of American society and politics during the Gilded Age.
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This carefully crafted ebook: "An Open-Eyed Conspiracy (Unabridged)" is formatted for your eReader with a functional and detailed table of contents. The story follows a few people from New York who find them-selves spending a hot summer in this small town. In this book William Dean Howells is giving us an interesting account of the town and the people of Saratoga. William Dean Howells (1837-1920) was an American realist author, literary critic, and playwright. Howells is known to be the father of American realism, and a denouncer of the sentimental novel. He was the first American author to bring a realist aesthetic to the literature of the United States. His stories of Boston upper crust life set in the 1850s are highly regarded among scholars of American fiction.
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Mr. Howells' novel exhibits the influence of many disturbing elements upon the mind of the writer. What they call the "zeitgeist" in Germany is strongly reflected in the pages of "Annie Kilburn;" and the lenses through which current social phenomena are viewed are not those of optimism. The heroine is a not quite young woman, who, after a long residence abroad, returns orphaned to her old home. This is a New England manufacturing town in a transition state between colonial Puritanism and nobody knows what. Annie Kilburn stands for that peculiarly modern condition of mind in which dissatisfaction with social relations as they exist is rather paralyzed than tempered by the operation of a practical sense which teaches the futility of all the remedial agencies that suggest themselves. She strongly yearns to do good; to better the state of the poor; to equalize social conditions. With a woman's impulsiveness she begins many things; with a New England woman's intellectual alert ness she quickly realizes the uselessness of her experiments. But she is not alone in the desire to right wrongs and remove abuses. An atmosphere of restlessness, doubt, and perplexity surrounds the story, which is full of futile reformers and hypocrites and feeble essays at amelioration undertaken in dense misapprehension of what is really needed. Tolstoi dashed with anarchy might be said to be the most conspicuous flavors in the book. An ie Kilburn herself is a would-be philanthropist, who feels her hands tied by inevitable circumstances. The Rev. Mr. Peck is an evangelical dreamer who lacks administrative and coordinating power, and drifts into a deadly quarrel with the respectable hypocrites of his congregation. Gerrish, the head and type of these, is a vulgar, purse-proud, greedy, and overbearing tradesman, who demands "the promises" from his pastor, and is furious when the latter attempts to apply the teachings of Christ to conduct. Putney is an irregular genius, who is strongly drawn to the side of all the protestants against modern social conditions; who, as a lawyer, prefers to defend boycotting Knights of Labor, and who is the opposite of the Gerrish tribe, Bohemian against Philistine, a natural "revolte," in short. Then there is Mrs. Munger, the social leader, who manages everybody, and wishing to start a social union for the benefit of the working people, pro poses to raise funds by an outdoor theatrical performance, followed by a supper and dance from which the beneficiaries are to be excluded. Mr. Howells' art has never been more finely displayed than in the handling of the feminine elements of "Annie Kilburn." The whole episode of Mrs. Munger's call upon her friends for the purpose of gathering opinions as to the supper and dance plan is described with consummate humor and in sight. The visit of the three former girl friends to Annie upon her return from Rome is perhaps equally good. There is marvelous perception and skillful description in all this ; but there is also a certain want of humanity, which produces a slightly uncomfortable impression.
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Mr. Howells shows a light and exquisite touch in "April Hopes," a novel, it is safe to say, in which all his finer qualities are seen at their best. The sweetness of it is perhaps a trifle cloying now and then to robust palates, but the story is for all the world like a spring day where showers and sunshine grace fully intermingle. Story, we say, while in reality there is no story at all, in accordance with Mr. Howells' views of the lack of stories in "real" life. Only an account of how two young things fell in love with one another and quarreled and made up, and quarreled again, and made up again, and broke off the engagement once more, and finally made up for good and got married. But how charmingly the affair is put before us—all the foolish, silly, entrancing details are there, and never does the author exceed the limits of probability or the canons of good taste. It is like a pretty play, for the narrative in the book is a poor pennyworth of bread to an infinite deal of sack in shape of bright and sparkling dialogue. We sit and watch Dan and Alice at their love meetings and their love quarrels, hear them exchange their bits of romantic nonsense, see them go through their little deceits and flights of tragedy and playings at broken hearts, and listen while they utter protestations of undying affection and vows of unwavering faith. It is all very pretty very dainty, very touching, and everyone who assists at the performance must feel that here at any rate is a bit of reality—softened, indeed, and modified somewhat by the essentially idealistic temperament of the author, who finds it hard not to give a Watteau-like grace to all his fond imaginings— yet sufficiently "real" to chime in with the actual or fancied experiences common to the majority of commonplace humanity. The doctrine of elective affinities has no place in the world of 'April Hopes.' "Girlhood", in the author's view, "is often a turmoil of wild impulses, ignorant exaltations, mistaken ideals, which really represent no intelligent purpose, and come from disordered nerves, ill-advised reading, and the erroneous perspective of inexperience." When two creatures thus constituted indulge in the frantic effort of trying to reconcile their ideals the comedy and tragedy of courtship begin, for as Mr. Howells says once more, "the difficulty in life is to bring experience to the level of expectation, to match our real emotions in view of any great occasion with the ideal emotions which we have taught ourselves that we ought to feel."
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Mr. Howells dips into psychological twilight in this volume of short stories. They are queer and creepy without being exactly supernatural. In "Editha" there is a war story of a new kind, although its heroine is the same old, inconsequent and exasperating girl that Mr. Howells has drawn for so many years, he could probably do it with his eyes shut by this time. "It all interested her intensely; she was undergoing a tremendous experience and she was being equal to it!" And so with the egotistic cruelty of youth she sends her lover to his death and has to face his mother afterward. The other tales are less tragic, and told as Mr. Howells alone can tell such small comedies, by means of conversations among intimate friends, with the graceful give and take of actual dialog, as the group discuss the affairs of their friends with after-dinner philosophic interest.
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A companion volume to 'London Films', in which Mr. Howells writes of Bath, Oxford, Canterbury and other delightful English towns, with glimpses of the country in between. The author catches the true spirit and dominant tone of each locality, and he regales the reader with various little adventures along the road. Mr. Howells is especially alert for details that link English history with our own, and have a special interest for the American traveler.
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There is rare fun and freshness in Mr. W. D. Howells's. 'Christmas Every Day, and Other Stories', a little volume charming for New Year or Thanksgiving. It is redolent, indeed, of all these, especially of November sweets, when turkey and cranberry sauce crown the board and pumpkin-pies smile saucily from its end. Mr. Howells shows in these tales an unexpected tenderness lurking in a corner of his capacious heart —-a tenderness for children under a veil of humor that is particularly attractive and also a grotesque yet merry fancy which cannot fail to delight them. What a delightful world is the child's world and how few there be that enter it! Mr. Howells ' touch is so light, so playful, so understanding, that it is a shame not to tickle childhood with it as this book does. The art of being-grand-père is as rare as the true moonstone. We won't spoil the feast by describing the bill-of fare, but happy infant that gets 'Christmas Every Day' like this.
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In 'Christmas Every Day & Other Stories (Illustrated Edition)', William Dean Howells showcases his signature literary style of realism and social commentary through a collection of charming and poignant short stories. Published in the late 19th century, Howells captures the essence of American life during the Gilded Age, exploring themes of morality, class division, and the human experience with wit and insight. The illustrated edition adds an extra layer of depth to Howells' narratives, bringing the characters and settings to life in vivid detail. From heartwarming tales of holiday cheer to thought-provoking reflections on society, this book offers a rich tapestry of storytelling that continues to resonate with readers today. William Dean Howells, a prominent figure in American literary history, drew inspiration from his own experiences as an editor and writer to craft stories that reflect the complexities of human nature. His keen observations and empathetic portrayals of characters allow readers to connect on a personal level with the themes explored in his work. 'Christmas Every Day & Other Stories' is a timeless collection that invites readers to ponder the intricacies of life and society while enjoying the artistry of a master storyteller.
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This carefully crafted ebook: "Christmas Every Day and Other Stories (Illustrated)" is formatted for your eReader with a functional and detailed table of contents. Extract: "The little girl came into her papa's study, as she always did Saturday morning before breakfast, and asked for a story. He tried to beg off that morning, for he was very busy, but she would not let him. So he began: "Well, once there was a little pig… "She put her hand over his mouth and stopped him at the word. She said she had heard little pig-stories till she was perfectly sick of them. "Well, what kind of story shall I tell, then?" "About Christmas. It's getting to be the season. It's past Thanksgiving already." William Dean Howells (1837-1920) was an American realist author, literary critic, and playwright. Nicknamed "The Dean of American Letters", he was particularly known for his tenure as editor of the Atlantic Monthly as well as his own prolific writings, including the Christmas story "Christmas Every Day", and the novels The Rise of Silas Lapham and A Traveler from Altruria. "Christmas Every Day" is a short story by William Dean Howells about a young American girl, whose wish that Christmas would come daily is granted for an entire year, until she realizes the true meaning of the holiday season. Table of Contents: Christmas Every Day Turkeys Turning the Tables The Pony Engine and the Pacific Express The Pumpkin Glory Butterflyfutterby and Flutterbybutterfly
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Complete March Family Trilogy by William Dean Howells libreka classics – These are classics of literary history, reissued and made available to a wide audience. Immerse yourself in well-known and popular titles!
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In 'Criticism and Fiction' Mr. Howells gives his ideas of the proper functions of critics, and the lines along which he may be supposed to have written his novels . He considers criticism an entirely contemplative branch of literature; finding in it, seemingly, no creative potentialities . The critic, he thinks, should first consider what the author has tried to do, then examine how he has done it . As to whether or not the thing was worth doing that concerns the author, not the critic. The critic need not say whether the book is good or bad; for, in the first place, it is none of his business; in the second, he may judge from a wrong point of view. Above all, he must sign his criticisms; this is his first and greatest duty. Like most realistic sermons the part of the book which deals with fiction is extremely plausible. So plausible, indeed, and inevitable, that one wonders why books that are written in accordance with such recognized theories should be so unlike many phases of life; why, in short, realism should seem such an ideal. Mr. Howells has a very high conception of the power of the novel. It influences men's lives and morals more than most people would imagine. Therefore, the novelist should consider that he holds his power in trust. He should preach by describing things as they are, rather than as they should be. Instead of a delusive New Jerusalem he should paint the squalor and vice of the old one. The book is a good exponent of the realistic point of view. It is always clear, frequently brilliant, and sometimes eloquent. Sometimes a more than usually colloquial passage suggests that Mr. Howells does not take himself quite seriously. An expression like "caught onto," for instance, rather mars the impression of high seriousness. The book, however, can hardly fail to confirm devotees of realism in their faith even such as have been weakened by stories of Zola sitting amid his bourgeois domesticity, imagining what bad men do. The doubters may still doubt — not so much that they scorn the theory, but that they disbelieve in the practice.
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This work of Mr. Howells is similar in lightness of material and delicacy of workman ship to "A Fearful Responsibility" and other minor productions of his deft hand which hold a unique and ill-defined position between the novel and the short story. It is brief; it is free from the mysteries of a plot; it is perfectly simple in plan; and the characters are not elaborated, but rather sketched with a few strong touches, so quick and free that we hardly appreciate the excellence of the art until we close the book and find how its principal personages haunt the memory. In its motive, however, "Dr. Breen's Practice" rises distinctly above the tales with which the ordinary reader will be likely to compare it, and approaches the intellectual level of "The Undiscovered Country." Like that master- work, it deals with a serious phase of mental experience, somewhat out of the common, and yet not so remote from our daily life as to seem unreal; and it analyzes perplexity and passion, a little melancholy and a little grotesque, with a mingling of sympathy and gentle humor that is wholly inimitable. Doctor Breen is a young lady — a young lady with no extravagant ideas about what is called the cause of woman, but with a certain morbid, self-questioning sense of duty, under the strain of which she has devoted herself to a career she does not love. "At the end of the ends she was a Puritan; belated, misdated, if the reader will, and cast upon good works for the consolation which the Puritans formerly found in a creed. Riches and ease were sinful to her, and somehow to be atoned for; and she had no real love for anything that was not of an immediate humane and spiritual effect. " Miss Breen breaks down forever under her first patient, discovering what the reader has seen from the start, that she lacks the mental and spiritual aptitude for her self-imposed task. There is a deep pathos in this sudden and utter defeat, relieved a little but not obscured by an elusive flavor of comedy which pervades the narrative. It does not impress us long; for Mr. Howells does poetical justice to his heroine at the end, and winds up the little tale of trouble with a charming and dainty eclaircissement. Grace Breen is one of the most lovable of his creations. She carries our hearts as surely as the Lady of the Aroostook; and not less admirably than that exquisite heroine does she illustrate the keen insight into feminine character, and the poetic perception of feminine ways which delight us in all Mr. Howells's stories.
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William Dean Howells' 'Dystopian Classics: Through the Eye of the Needle & A Traveler from Altruria' delves into the dystopian genre with two captivating novels that offer unique perspectives on the social and political issues of their time. Howells' literary style is characterized by its realism and astute social commentary, making these novels essential reads for anyone interested in the dystopian genre or late 19th-century American literature. 'Through the Eye of the Needle' explores a society where individualism is eradicated in favor of a conformist approach, while 'A Traveler from Altruria' presents an outsider's reflections on the shortcomings of American society. Through these narratives, Howells challenges readers to reconsider their own societal norms and values. As a prominent figure in the American literary scene during the late 19th and early 20th centuries, Howells drew inspiration from the societal changes and political tensions of his time. His keen observations and critiques are reflected in these two dystopian novels, which continue to resonate with readers today. I highly recommend 'Dystopian Classics' to those seeking thought-provoking literature that offers a fresh perspective on societal issues and human nature.
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Welcome to the Essential Novelists book series, were we present to you the best works of remarkable authors. For this book, the literary critic August Nemo has chosen the two most important and meaningful novels ofWilliam Dean Howells which are The Rise of Silas LaphamandThe Lady of the Aroostook. William Dean Howells was an American realist novelist, literary critic, and playwright, nicknamed "The Dean of American Letters". Novels selected for this book: -The Rise of Silas Lapham -The Lady of the Aroostook This is one of many books in the series Essential Novelists. If you liked this book, look for the other titles in the series, we are sure you will like some of the authors.
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In this book of travels Mr. Howells relates the incidents and impressions of his trip through Spain. In a leisurely, discursive fashion he notes what most appealed to him as he journeyed from San Sebastian through Burgos, Madrid, Toledo, Cordova, Seville to Granada, Ronda, Algecirus, and Tarifa. Like a glorified cinemacolor film, he passes in review Spanish scenery, the architecture of cathedrals and palaces; theatres and hotels; picturesque street-scenes, Moorish remains; the King and Queen; beggars and guides; gypsies and donkeys. And back of all this living present, adding richness to the scene like a figured tapestry, is the romantic history of Spain's past.
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A young New York novelist receives a letter from a girl asking for the solution of a serial story he is writing, for she is so ill that she does not believe she will live to finish it. His publishers answer the letter in good faith only to find out that it was all a girlish prank. The vanity wounded author writes her a scathing letter. Later at a Long Island house-party he meets her, as she is the hostess's paid assistant to entertain the guests. The unspoken love story that ensues ends most unexpectedly. Mr. Howells's delicate satire and pungent irony is nowhere more apparent than in this skeleton romance. He sees the weakness and absurdity of human nature as unerringly as he does its strength and weakness and one closes the book feeling it to be merciless but masterly.
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