Howells William Dean
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William Dean Howells' "The Pioneer Women Trilogy: The Coast of Bohemia, Dr. Breen's Practice & Annie Kilburn" is a literary masterpiece that delves into the lives of ordinary women in the late 19th century America. Howells masterfully weaves together narratives of love, tragedy, and resilience, portraying the struggles and triumphs of women in a changing society. The trilogy's realistic portrayal of characters and settings, combined with Howells' detailed observations of human nature, make it a compelling and thought-provoking read for those interested in American realism literature. Through his vivid descriptions and captivating storytelling, Howells captures the essence of the time period and explores timeless themes of societal expectations and personal fulfillment. Each novel in the trilogy offers a unique perspective on the challenges faced by women striving for independence and agency in a patriarchal society. William Dean Howells, a prominent figure in American literature, draws from his own experiences and observations to create a nuanced and insightful portrayal of women's lives in the late 19th century. His keen insight into human nature and his commitment to social realism shine through in this trilogy, making it a must-read for anyone interested in historical fiction and women's literature.
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Mr. Howells has this time chosen a subject for illustration which affords plenty of ground for serious thinking. He has written a story of defalcation; the too familiar story of the treasurer of a rich corporation who, himself rich, is greedy for more money; who first uses the funds at his disposal for personal ends; pays them back; uses them again and cannot pay them back; falsifies the books and so gains time to steal more; is at last found out, and b ing given three days to make restitution, finds himself called upon to choose between suicide, surrender, or flight to Canada. It cannot be said that there is anything new in the facts of the defalcation; but these defalcations are monotonously alike. The man who becomes a thief in this way seldom begins with a deliberate purpose to steal. As such a criminal must, by the hypothesis, be a weak man, his first effort is to gloss the character of his actions to himself. He is only borrowing rather irregularly, he tries to think; and he holds to an intention to restore the embezzled funds, which by a hocus-pocus method of word-juggling common to such characters assumes in his mind the aspect of redeeming honesty. When the dream of restoration has been dissipated, as it always is, the thief does not any the more face the truth or admit that he is what he is. In falsifying the books he persuades himself that he is only giving himself further chance of retrieval, and so he goes on till the catastrophe occurs. Now it is evident that a study of such a criminal's mind must be full of interest, and Mr. Howells has made a masterly analysis.
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"The Rise of Silas Lapham" is a Bostonian novel. A Boston family of the strict Brahminical type, the Coreys, finds itself under obligations for help in a painful emergency to the Laphams, a family of crude manners, mushroom wealth, and sterling virtue. The Laphams, pricked to social ambition by the new acquaintance, build a house on the Back Bay. The contrast of the two social worlds is amusingly depicted in the chapters that record their intercourse; and the elder Lapham allows himself to become intoxicated at a dinner to which he and his family have been self-sacrificingly invited by the Coreys. Meanwhile, Tom Corey, only son of the distinguished family, has obtained a place in the mineral-paint establishment of Silas Lapham, and has seen something informally of the two Lapham girls, the elder of whom, Penelope, is interesting, while her younger sister Irene is dazzlingly beautiful. The young man makes love to the elder girl, but so unobtrusively that he is supposed by both families and both girls to be making love to the other. He proposes to Penelope; she refuses in remorse and dismay; Irene is momentarily furious; the Lapham family is thrown into consternation, and the Corey family, recoiling from any bond with the Laphams, is still further distressed by the discovery that the choice has fallen on the plainer and less valued girl. The question whether a girl may decently marry the man she loves if the joint anticipations of two families have previously bestowed him on a consenting sister seems to be too easy to be worth putting or answering when you have removed it from the texture of the novel; but it is argued extendedly and gravely and dejectedly by the lover and the girl and the girl's parents and the Unitarian minister and the Unitarian minister's wife. This is by far the best novel by Mr. Howells and should not be missed from any bookshelf.
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William Dean Howells' novel, The Rise of Silas Lapham, is a classic American literary work that explores the themes of social status, morality, and the pursuit of the American Dream. Set in the late 19th century, the novel follows the rise and fall of Silas Lapham, a self-made man who becomes wealthy through his successful paint business. Howells' writing style is characterized by its realistic depiction of everyday life and its focus on moral dilemmas faced by the characters. The novel's intricate plot and well-developed characters make it a compelling read for anyone interested in American literature and social commentary. The Rise of Silas Lapham is considered a seminal work in the American literary canon, representing the transition from romanticism to realism in literature. Howells' keen observations of social dynamics and ethical struggles make this novel a timeless piece of literature that continues to resonate with readers today.
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This carefully crafted ebook: "THE RISE OF SILAS LAPHAM (Unabridged)" is formatted for your eReader with a functional and detailed table of contents. In Howells' maybe the most famous novel, The Rise of Silas Lapham, the story follows the materialistic rise of Silas Lapham from rags to riches, and his ensuing moral susceptibility. Silas earns a fortune in the paint business, but he lacks social standards, which he tries to attain through his daughter's marriage into the aristocratic Corey family. Silas' morality does not fail him. He loses his money but makes the right moral decision when his partner proposes the unethical selling of the mills to English settlers. The resolution of the love triangle of Irene Lapham, Tom Corey, and Penelope Lapham highlights Howells' rejection of the conventions of sentimental romantic novels as unrealistic and deceitful. William Dean Howells (1837-1920) was an American realist author, literary critic, and playwright. He was the first American author to bring a realist aesthetic to the literature of the United States. His stories of Boston upper crust life set in the 1850s are highly regarded among scholars of American fiction.
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'The Seen and Unseen at Stratford-on-Avon' is a fantasy in which Mr. Howells enjoys the society of the great dramatist while they leisurely go to various pageants and festivities together. Shakespeare becomes his guest for a week-end and the immortal play wright confides that he "Never felt quite happy about the way people talked of Anne." The dialogue between them is rich in humor and quite as delicious as anything that the distinguished American author has ever done, putting many of his pungent ideas into the mouth of Shakespeare. There are some lovely descriptive nature bits and the atmosphere of English feeling and history. The showery past is wonderfully mirrored in this characteristically perfect workmanship. Perhaps one of the most interesting parts of the book is where Francis Bacon joins them and they all talk together — three hundred years being no impediment to conversation with the Shades conjured up by the author's magic pen, which flows as easily and as convincingly as ever, showing an imagination undimmed by time and a sense of humor as keen as ever. There is no better evidence of his linking the past with the present than in his description of the Moving Picture Show which almost confronted the Shakespeare monument. Only Mr. Howells could have done this whimsical thing.
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'The Shadow of a Dream' makes readers familiar with this rather peculiar development of a peculiar subject, and the tragic ending which is so much more pronounced than any other of the real facts of Howells' novels on which one can decisively lay a finger, as to give the reader an actual shock of horror. This bit of "the stuff that dreams are made of" but gives us an instance of the strange power of dream phantasies over our waking life — a power that more than one of us has felt, and sets us wondering likewise if there is, after all, any definite boundary between sanity and insanity, and whether it is really only a question of majority decision. The story is, of course, handled with all the delicate finish and fidelity of which Howells is along acknowledged master.
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Mr. Howells is at his best in this novel. There is in it the same perfection of finish, the same absolute sureness of technique, the same realism (to use an overworked word, but here used in its true sense, not meaning either nastiness or stupidity) which one is always sure to find in his work. But there is something more in this book than in some of his others — more strength, more interest, and a bigger, and successful, attempt to show the more emotional and more vital side of life. The plot is almost precisely that of Ibsen's "Ghosts," with the very great difference, however, that the young man turns out well, and the book ends happily, instead of in the sickening horror of the Ibsen play. Langbrith senior, dead before the story opens, had been a vicious and criminal man in all respects; his widow had allowed their son to come to manhood as a hero-worshipper of his father, knowing that it was wrong, but never having the courage to tell him the true state of affairs. The son is in love with, and is loved by, the daughter of the man whom his father has most wronged. In a quarrel with his uncle the young man is told what his father really was. This terrible blow overturns his whole attitude toward life. He wishes to sacrifice everyone by confession to the world, but is wisely and sanely persuaded that it is best to bear his burden as it is, till the fitting, not Quixotic, time for disclosure arrives. In his trouble, all the characters show their sweetness and strength in helping him to bear the burden. So meagre an outline of the story necessarily means little ; but imagine this plot filled in with every delicacy and sweetness, with fine character-drawing, with real humanity, and with that beautiful and tolerant point of view of life which has come to Mr. Howells in his old age, and you can easily see how fine a novel is 'The Son of Royal Langbrith', how well worth reading it is by everyone who cares for the best in fiction.
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'The Story of a Play' is a pleasing addition to the list of the charming trivialities to which Mr. Howells has chiefly devoted himself in the late years of the 19th century. It now seems a confirmed habit with him to select for treatment some closely circumscribed phase of experience, to make it the subject of the most searching and minute observation, and to develop its utmost possibilities. This intensive method of literary cultivation is the method best calculated to yield artistic results ; and, if this work of Mr. Howells does sometimes suggest the carving of cherry-stones, the carving is very neatly done. Few subjects are more hackneyed than that of the budding man of letters seeking to make his way in an unappreciative world, and it requires some daring to bring it once more into service. In the present case, the aspirant for fame pins his fortunes to play- writing, which gives the author an opportunity to introduce the chief types of player-folk into his pages, and to illuminate their ways with many a flash of gentle humor. By making the wife of the hero collaborate in the work of writing the play, Mr. Howells is enabled to add to his collection another of those examples of femininity that usually prove so exasperating to the sex that they assume to represent. It is all very well by way of semi satirical pastime, but women are sometimes rational beings, the score or more of Mr. Howells's novels to the contrary notwithstanding.
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'The Vacation of the Kelwyns' was written at the time of his greatest literary activity but for purely personal reasons was denied publication by him during his lifetime. The exquisite delineation of the New England character, as affected by the Shaker faith, and the delicate love story set against the quaint rural background, will undoubtedly rank this with the most distinguished of Mr. Howells' works.
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William Dean Howells, a prominent figure in American literary realism, presents readers with a captivating collection of stories in 'The Venetian Trilogy'. This compilation includes 'A Foregone Conclusion', 'Ragged Lady', and 'The Lady of the Aroostook', each filled with intricate character development and detailed settings that transport readers to the charming streets of Venice. Howells' writing style is characterized by its vivid descriptions and insightful social commentary, making this trilogy a must-read for those interested in 19th-century American literature. With themes of love, class distinctions, and cultural conflicts, these stories offer a nuanced portrayal of human relationships and societal norms of the time. They provide a glimpse into the lives of individuals facing moral dilemmas and personal growth in a rapidly changing world. William Dean Howells' own experiences as a literary critic and editor likely influenced the depth and complexity of his characters, adding a layer of authenticity to the narratives. Overall, 'The Venetian Trilogy' is a compelling read that will appeal to readers seeking thought-provoking literature that reflects the nuances of American society during the Gilded Age.
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In 'A Hazard of New Fortunes' Mr. Howells took for his hero the editor of a New York magazine. In 'The World of Chance' the leading character is a young journalist of Midland, a town indefinitely located a day's journey west of New York City. He goes to the metropolis with the manuscript of his first novel, "A Modern Romeo," in his pocket. The adventures of this manuscript, making its way from publisher to publisher, and finally returning to the first one, who had wished to publish it despite the adverse opinions expressed by all his "readers," are of extreme interest. The book is finally issued by Mr. Brandreth, of the Chapley firm, as an almost desperate attempt to retrieve the fortunes of the house. In the two critical points for the author — the acceptance of his manuscript and the first important review of it — chance here plays the leading part. The leading characters of the book comment repeatedly on the apparent importance of mere luck in such matters. But the insistence of the book is upon the extremely large part which apparent luck, and luck only, plays in the literary world. It can hardly be said, however, by anyone who is well acquainted with these matters from the standpoint of the publisher or the author of experience, that Mr. Howells has greatly exaggerated the element of fortune in the case of authors who have their reputation to make. What it is that makes a book sell ; why, when it has reached a certain large sale, it stops just where it does; and will sell no longer ; and why the shrewdest publishers are again and again mistaken in their opinions, favorable or adverse to a manuscript — all these things are mysterious indeed. Mr. Howells does not write as a practical moralist but there is a very large audience waiting for 'The World of Chance', consisting of would- be authors, who will probably learn the force of some very hard and disagreeable facts in the matter of publishing, and take home the moral to themselves with much more thoroughness from a novel like this than from volumes of advice by publishers or authors of experience The socialistic element which has been so prominent in Mr. Howells' works before is seen here in the Hughes family — the four members of which offer as many careful studies in character of a typical reformer's family. Mr. Howells appears to have turned at length from the discipleship of Tolstoy, Bellamy and other social reformers. 'The World of Chance' is in many ways one of the most thoroughly interesting of Mr. Howells' novels, as well as one of the best written.
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The story of Mr. W. D. Howells's 'Their Silver Wedding Journey' is 'Their Wedding Journey' over again, after an interval of twenty-five years; and a clever and entertaining recital of familiarities it is. It is like looking in the glass to read such a tale, and there are all the sights and sounds of the steamer, too, of the Continent, and of the amiable and happy go-betweens of a lover husband and his wife. Mr. Howells beats his gold out pretty thin, but it is gold all the same; or, to change the figure, the old shapes and colors are here again, but the kaleidoscope has had a shake and the combination is fresh. Particularly will they enjoy the result who are about to take the European tour, or lately have taken it, or never can hope to take it except through the eyes of others, and whose recollections or expectations or imaginations are blessed with a little touch of romance and sentiment.
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The artistic descriptions of characters, places, and incidents; the fine observation, which detects what ordinary spectators either see inadequately or miss altogether; the delightful humor which pervades the whole; and the simple beauty of style—all these combine to render this story by Mr. Howells one of time most attractive ever published in America. This first attempt at fiction greatly increased his public of readers. There is really very little to the book ; two characters, Basil and Isabel, occupy the foreground, and are carefully and faithfully drawn ; they are relieved by a background of pleasing bits of American and Canadian scenery. Such a commonplace subject had never been treated in such an original manner before, and probably a similar attempt by any other author would result in a failure. Howell's first attempt at portraying the commonplaces in American life was eminently successful.
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In this volume Mr. Howells has collected three short pieces which show his power under various aspects. The pleasantest and in a literary sense the best of the three is the charming paper on 'Lexington,' originally contributed to Longman's Magazine. It is distinguished by that happy faculty of description, that sure artistic eye, and that genial spirit which constitute so much of the fascination of his larger works; flashes of characteristic humor surprise us in its delicate pages; and it has all that strong individual flavor which makes the best writing of Mr. Howells so different from the rest of the good writing which is getting to be abundant in books. The second village in his collection is the Shaker settlement of 'Shirley.' If Lexington was a theme for a dainty literary exercise, Shirley served him rather for a plain and sympathetic account of a community which he seems to have regarded with a tender interest. The quiet and simple tone of the paper is in perfect accord with the life it portrays. The story of the Moravian Indian settlement of 'Gnadenhütten,' on the Muskingum, and the brutal massacre by which the white frontiersmen blotted it out in 1782, is vigorously told in the last chapter of the book, where Mr. Howells shows his skill in tragic narrative rather than description.
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It is safe to say that Mr. Howells would rather have this book judged as a study in sociology than as a novel of no matter how deep a romantic interest. The earnestness with which the subject has been studied obviously supplements a habit of observation that is conscious and trained. Perhaps, then, it were best to say in the beginning that Mr. Howells' book has two distinct attributes, between which it is a difficult matter to judge in respect to value: the fine literary quality is so wonderfully pervasive that the reader is con strained to label this a romance of distinction and interest; On the other hand, the treatment of the sociological theme is so keen, clever, and pointedly ironic, and the substance matter has so much of ac curacy and the convincing, that it must be admitted without parley that here is a work to place side by side with the Utopian visions of the world—with the work of More, and of Sidney, with that of Bellamy and Wells, conceding as regards the last two a decided advantage in the point of masterly writing. 'Through the Eye of the Needle' is divided into two sections. The first comprises letters written from America to Altruria by an Altrurian citizen who has come to this country to study conditions. Altruria, let it be said, is an idealistic commonwealth. Part two of the book consists of letters written by an American woman from Altruria, whither she has gone as the wife of the Altrurian. Naturally, customs and institutions in that country are as strange to her as were our customs and institutions to her husband when he visited the United States. In good truth, however, America is at no point spared in the minute analysis of her various phases and aspects. Our friend the Altrurian starts out in his very first sentence : If I spoke with Altrurian breadth of the way New Yorkers live, I should begin by saying that the New Yorkers did not live at all. After which he discourses upon the subject of apartment houses, the servant problem, the enigma of the newly rich, and the other attributes and adornments of our "advanced civilization." There is no sparing and no condoning, yet the spirit of it all is benevolently broad, and the genial but gently ironic Mr. Howells is scarcely disguised in the charity-saturated criticisms of the observant and knowing Altrurian traveler. Perhaps the most appreciable bit of work in the volume is Mr. Howells' introduction, with its mild poking of fun, and its delightful little spurts of sarcasm. The whole book means a good deal more than do most of the average books of fiction that are so constantly our portion; and even if one may not be in the mood for serious reading, and the thinking that a thoughtful book compels, there is enough of pleasantry and heart interest, and delightful character study in this volume to provide diversion, and quiet, restful entertainment. The compensation of Mr. Howells' books is that they prove good company, for the author's own genial self, with all that mellowness of refinement and culture that is his, gives life's blood to his volumes.
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To meet Mr. Howells again on his Italian rambles is like rejoining an old friend in the midst of scenes associated with the beginning of our friendship. This rich volume is a grateful recollection of the book which first gave him a place in our standard literature. Much of the old charm of 'Venetian Life' is certainly here. The daring disregard of conventionality, the happy discovery of aspects of life un noticed by previous travelers, the artistic and novel use of illustrative side-lights, the quick insight into the characteristics of places, the unforced flow of delicate humor, the fascination of a style distinguished more by natural grace than by laborious polish, and the genial understanding between the author and the reader — all these qualities reappear in the new record of travel ; and if they seem less striking than they did of old, we must remember that Mr. Howells himself is no longer a fresh sensation but a familiar favorite. Half the volume is devoted to Florence under the title of Florentine Mosaics. Mr. Howells gives us something quite unlike the ordinary impressions of a traveler. Here is neither set description of scenery and architecture, nor systematic study of life and manners ; but the author passes at will from pictures of the streets and squares and churches and palaces, to brief comments upon the people, and glowing transcriptions of dramatic episodes in Florentine history. . . . Siena is visited in the same temper, although Mr. Howells took his pleasure there with a keener zest than the well-known sights of Florence were able to afford him ; and the tour took in Pisa, Lucca, Pistoja, Prato and Fiesole, of which he writes much more briefly than of the more important cities.
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A large part of Howell's time in Venice was given up to a critical study of life in that city, and in his "Venetian Life," which appeared in 1866, he has given to the world the result of his observation and study. The book abounds in dainty pen pictures of the beauties of Venice ; as he tells us of the Grand canal, we can almost hear the dipping paddles of passing gondolas, and the barcarolle wafted on the evening breeze. It may seem almost sacrilege to lovers of the old legends, that he explains away the romanticism of the Doge's palace, and denominates the Bridge of Sighs a " pathetic swindle". The book's finish was such as to reveal the highly interesting literary individuality of the author.
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William Dean Howells: 27 Novels in One Volume (Illustrated) is a comprehensive collection of the works of William Dean Howells, a prominent figure in 19th century American literature. This anthology showcases Howells' diverse literary style, ranging from realistic portrayals of everyday life to social commentary on the changing society of his time. With a keen eye for detail and a sharp wit, Howells' novels provide a rich tapestry of characters and settings that captivate readers and offer valuable insights into the complexities of the human experience. The inclusion of illustrations enhances the reading experience, bringing Howells' vivid descriptions to life on the page. This collection is a must-read for anyone interested in American literature of the Gilded Age. William Dean Howells: 27 Novels in One Volume (Illustrated) is a testament to Howells' enduring legacy as a writer who explored the nuances of American society with depth and nuance, making it a valuable addition to any literary enthusiast's library.
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Here William Dean Howells has written down the interesting facts of his life up to the time he went abroad as U. S. consul; and not only the facts , but also the early impressions and numerous influences which went to mold the man and the writer. Born in 1837 , at Martin's Ferry , Ohio , of mingled Welsh, German, English and Irish stock, the young son of a printer and publisher could set type almost from babyhood. Love of reading supplemented irregular schooling. He tells of his first efforts at writing, of the broad religious tolerant spirit in his father's home , of his first experience of politics and the abolitionist movement. The family moved later to Dayton, and the young printer - for he worked hard to help his father - found a new interest here in the theater. In later chapters he pictures the life at the State Capital, Columbus, over a half century ago , with its political and social interests, and describes his own youthful enthusiasms. Here he aided his father in reporting the sessions of the legislature. When the family moved again to Ashtabula, young Howells varied his printing labors with the study of foreign languages. As a reporter for the Cincinnati Gazette and later for the Ohio State Journal he knew and revered the prominent journalists of the Middle West. This chronicling of his early literary successes and his first entrance into the Atlantic Monthly's charmed circle show the future author with his feet firmly set on his life's road.
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