Hewitt Catherine
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Autor
Bekker Alfred
(1664)
Vandenberg Patricia
(1164)
Doyle Arthur Conan
(638)
Wallace Edgar
(583)
Cartland Barbara
(492)
Hewitt Catherine
(-)
Shakespeare William
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Dickens Charles
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Buchner Friederike von
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Maybach Viola
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Waidacher Toni
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Verne Jules
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Twain Mark
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Konopnicka Maria
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Conrad Joseph
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Dönges Günter
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Mahr Kurt
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Sienkiewicz Henryk
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Darlton Clark
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Ewers H.G
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Mickiewicz Adam
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Roberts Nora (1950- )
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Vega Lope de
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Barca Pedro Calderón de la
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Донцова Дарья
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Kühnemann Andreas
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King Stephen
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Andersen Hans Christian
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Francis H.G
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Austen Jane
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Vlcek Ernst
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May Karol
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Barner G.F
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Autores Varios
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Chávez José Pérez
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Ellmer Arndt
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Stevenson Robert Louis
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Oppenheim E. Phillips
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Palmer Roy
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Wells H. G
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Voltz William
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Kipling Rudyard
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Howard Robert E
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Hałas Jacek "Stranger"
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Bazán Emilia Pardo
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Zimnicka Iwona
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Balzac Honoré de
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Goethe Johann Wolfgang von
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Mark William
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Prus Bolesław
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Słowacki Juliusz
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Hoffmann Horst
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Orzeszkowa Eliza
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Alcott Louisa May
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Kneifel Hans
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Brand Max
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Steel Danielle (1947- )
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Калинина Дарья
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Кир Булычев
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Sienkiewicz Henryk (1846-1916)
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Verne Juliusz
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Popławska Anna
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Wilde Oscar
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Kayser-Darius Nina
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Woolf Virginia
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Александрова Наталья
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Haensel Hubert
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Rawinis Marian Piotr
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Колычев Владимир
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Головачёв Василий
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Zarawska Patrycja
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Collins Wilkie
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Żeromski Stefan (1864-1925)
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Fabianowska Małgorzata
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Żeleński-Boy Tadeusz
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Marciniakówna Anna
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Scott Walter
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Courths-Mahler Hedwig
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Leblanc Maurice
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Fischer Marie Louise
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Grey Zane
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Cooper James Fenimore
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Sandemo Margit
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Christie Agata (1890-1976)
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Orwell George
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Suchanek Andreas
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Anton Uwe
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Zola Émile
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Thurner Michael Marcus
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James Henry
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Simenon Georges
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Galdós Benito Pérez
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Oetker
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Rok wydania
2020 - 2024
(1)
2010 - 2019
(3)
Okres powstania dzieła
2001-
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Polska
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polski
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Temat
Faworyty i faworyci
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Kobieta
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La Bigne, Valtesse de (1848-1910)
(1)
Temat: czas
1801-1900
(1)
1901-1914
(1)
Temat: miejsce
Francja
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Gatunek
Biografia
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Dziedzina i ujęcie
Historia
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Filia nr 2
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Forma i typ
WINNER OF THE FRANCO-BRITISH SOCIETY LITERARY AWARD 2020 'Art is a Tyrant recounts [Bonheur's] life with no little brio.' Michael Prodger, The Times Books of the Year 2020 'A diligently researched, beautifully produced and insistently sympathetic biography.' Kathryn Hughes, Guardian A new biography of the wildly unconventional 19th-century animal painter and gender equality pioneer Rosa Bonheur, from the author of the acclaimed Mistress of Paris and Renoir's Dancer. Rosa Bonheur was the very antithesis of the feminine ideal of 19th-century society. She was educated, she shunned traditional 'womanly' pursuits, she rejected marriage - and she wore trousers. But the society whose rules she spurned accepted her as one of their own, because of her genius for painting animals. She shared an intimate relationship with the eccentric, self-styled inventor Nathalie Micas, who nurtured the artist like a wife. Together Rosa, Nathalie and Nathalie's mother bought a chateau and with Rosa's menagerie of animals the trio became one of the most extraordinary households of the day. Catherine Hewitt's compelling new biography is an inspiring evocation of a life lived against the rules.
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Forma i typ
In the 1880s, Suzanne Valadon was considered the Impressionists' most beautiful model. But behind her captivating façade lay a closely-guarded secret. Born in poverty in rural France, as a teenager in Montmartre, Suzanne began posing for – and having affairs with – some of the age's most renowned painters. Then Renoir caught her indulging in a passion she had been trying to conceal: the model was herself a talented artist. Some found her vibrant still lifes and frank portraits as shocking as her bohemian lifestyle. At eighteen, she gave birth to an illegitimate child, future painter Maurice Utrillo. But her friends Toulouse-Lautrec and Degas could see her skill. Rebellious and opinionated, she refused to be confined by tradition or gender, and in 1894, her work was accepted to the Salon de la Société Nationale des Beaux-Arts, an extraordinary achievement for a working-class woman with no formal art training. Renoir's Dancer tells the remarkable tale of an ambitious, headstrong woman fighting to find a professional voice in a male-dominated world.
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Valtesse de la Bigne was a celebrated nineteenth-century Parisian courtesan. She was painted by Manet and inspired Emile Zola, who immortalised her in his scandalous novel Nana. Her rumoured affairs with Napoleon III and the future Edward VII kept gossip columns full. But her glamourous existence hid a dark secret: she was no Comtesse. She was born into abject poverty, raised on a squalid Paris backstreet; the lowest of the low. Yet she transformed herself into an enchantress who possessed a small fortune, three mansions, fabulous carriages, and art the envy of connoisseurs across Europe. A consummate show-woman, she ensured that her life – and even her death – remained shrouded in just enough mystery to keep her audience hungry for more. Catherine Hewitt's biography tells, for the first time ever in English, the forgotten story of a remarkable woman who, though her roots were lowly, never stopped aiming high.
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