Grossmith George
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2020 - 2024
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2010 - 2019
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It was one dark, dank, dreary, dismal night in February, 1888 (I believe that is the way to commence a book, no matter what the subject be), when the present writer might have been seen standing, with other gentlemen, in a sombre dining-room brilliantly illuminated with one ceiling-lamp buried in a deep red shade. We were standing round the dining-room table, each with a dinner-napkin in the left hand; while the right hand was occupied in moving back chairs, to permit of the departure of the ladies for the drawing-room. I could not help thinking that, as they filed off, the ladies looked like queens; while we (especially with the aid of the serviettes) looked like waiters. The gentlemen drew their chairs round the host, and wine was languidly passed round. A tall gentleman, with a heavy beard, to whom I had not been introduced, approached me, and sat by my side. He passed me the spirit-lamp, for which I thanked him while lighting my cigarette. He then commenced a conversation in earnest."Did you see that Mr. is writing his reminiscences?""Yes.""Don't you think it rather a pity that he should do so?""Why a pity?" I asked in reply to his question."Well, I always think the moment a man begins to write his reminiscences he is bound, more or less, to make an ass of himself.""In what way?" I asked."In the first place, he is hampered by having to be so egotistical. He must talk about himself, which is never a nice thing to do. He cannot very well tell stories in his own favour; and if he tells them against himself, he affects humility: if he talks about his distinguished acquaintances, he becomes a snob; in short, I can only repeat my former observation, that he is bound to make an ass of himself."For a moment or two I did not know what to say, for my conscience smote me. At last I said:"I am very pleased to hear your candid, and certainly unbiassed, opinion; for I have just accepted an offer from Mr. Arrowsmith to do a shilling book of my own reminiscences for the Bristol Library Series."
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The Diary of a Nobody is an English novel written by George Grossmith. It originated as an intermittent serial in Punch magazine in 1888–89 and first appeared in book form, with extended text and added illustrations, in 1892. The Diary records the daily events in the lives of a London clerk, Charles Pooter, his wife Carrie, his son Lupin, and numerous friends and acquaintances over a period of 15 months. Before their collaboration on the Diary, the brothers each pursued successful careers on the stage. George originated nine of the principal comedian roles in the Gilbert and Sullivan operas over 12 years from 1877 to 1889. He also established a national reputation as a piano sketch entertainer and wrote a large number of songs and comic pieces. Before embarking on his stage career, Weedon had worked as an artist and illustrator. The Diary was the brothers' only mature collaboration. Most of its humour derives from Charles Pooter's unconscious and unwarranted sense of his own importance, and the frequency with which this delusion is punctured by gaffes and minor social humiliations. In an era of rising expectations within the lower-middle classes, the daily routines and modest ambitions described in the Diary were instantly recognised by its contemporary readers, and provided later generations with a glimpse of the past that it became fashionable to imitate. Although its initial public reception was muted, the Diary came to be recognised by critics as a classic work of humour, and it has never been out of print. It helped to establish a genre of humorous popular fiction based on lower or lower-middle class aspirations, and was the forerunner of numerous fictitious diary novels in the later 20th century. The Diary has been the subject of several stage and screen adaptations, including Ken Russell's "silent film" treatment of 1964, a four-part TV film scripted by Andrew Davies in 2007, and a widely praised stage version in 2011.
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Why should I not publish my diary? I have often seen reminiscences of people I have never even heard of, and I fail to seebecause I do not happen to be a Somebodywhy my diary should not be interesting. My only regret is that I did not commence it when I was a youth.
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The Diary of a Nobody is an English comic novel that records the daily events in the lives of a London clerk, Charles Pooter, his wife Carrie, his son Lupin, and numerous friends and acquaintances over a period of 15 months.
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'The Diary of a Nobody' stands as a seminal work in the landscape of British humor and late Victorian literature, painted vividly through the satirical diary entries of Charles Pooter. This unabridged collection retains the full essence and finesse of George and Weedon Grossmith's creation, brilliantly exploring themes of social aspirations and the peculiarities of suburban life. The narrative is enriched by a clever blend of irony and wit, reflecting the contemporaneous literary style of caricature and the absurd. Through its episodic structure, the book offers a microscopic inspection of the ordinary, transforming it into an extraordinary exploration of identity and societal norms. The Grossmith brothers, both influential figures in the late 19th-century cultural milieu, bring to the collection a unique blend of real-life theatrical and artistic experiences. Their insights resonate with the comedic, often touching upon the peculiar rigidity of social structures of their time. By encapsulating these nuanced perspectives, 'The Diary of a Nobody' not only aligns with but also parodies the emergent literary movements of its era, offering a delightful yet razor-sharp reflection on the human condition. This collection is an unmissable journey for those keen on understanding the intricacies of everyday life through a humorous lens. Readers will discover the timeless charm and relevance of the Grossmiths' work, making it an essential addition for both scholars and enthusiasts of classic British literature. Delve into this anthology to appreciate its educational and entertainment value, engaging deeply with the dialogue it orchestrates between societal expectations and individual identity.
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