Carter David
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Bekker Alfred
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Vandenberg Patricia
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Carter David
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Czytelnia Główna
Egzemplarze są dostępne wyłącznie na miejscu w bibliotece: sygn. 59 (1 egz.)
E-book
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Forma i typ
As explicit in his prose as he was in his private life, the Marquis de Sade remains one of the most controversial writers of all time. This new biography, by the acclaimed translator and author David Carter, promises to shock as much as it informs. Arrested many times for sexual misdemeanors, the Marquis de Sade was imprisoned in the Bastille, where he was writing 120 Days of Sodom and The Misfortunes of Virtue at the time that it was stormed in 1789. After the French Revolution he was again imprisoned and sent to an asylum, where he wrote diaries and plays. This concise biography offers a fresh look at a relentlessly compelling figure with a fascinating life of scandal and imprisonment.
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Forma i typ
Born to Jewish parents in mid-19th-century Austria, Sigmund Freud is a controversial figure needing no introduction, yet his reputation owes as much to myth as to the facts of his life and his work. Here, David Carter uncovers the man buried beneath the mythology, tracing the life of this inimitable figure from his origins as the gifted first born of eight children, through his stellar academic career and his relationships and rifts with famous figures such as Josef Breuer. Also explored is why, despite his groundbreaking work on psychoanalytic theories—including the functioning of the subconscious, the repression of trauma, and the psychological import of dreams—Freud has frequently been the subject of derision and ridicule.
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Dostęp do treści elektronicznej wymaga posiadania kodu dostępu, który można odebrać w bibliotece.
E-book
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Plays / David Carter. - [miejsce nieznane] : Creative Essentials : Legimi, 2010.
Forma i typ
Plays...And How to Produce Them provides a basic introduction for all individuals and groups wishing to undertake the production of a play. It is aimed at the amateur enthusiast and anyone intending to pursue their interest further and undertake professional training. The author, who has over 30 years of experience in drama, takes the reader through the production of a play step by step, from setting up a drama group to the first night and entire run. The book can be read straight through or consulted as a handy reference work. Includes sections on starting a drama group, financing, organising and attracting members; choosing a director, choosing plays, auditions and casting; stage management, lighting, sound, costume, props, and prompting; music and choreography; choosing a venue, and designing and building sets; rehearsing and rehearsal schedules; actors' games and exercises, and make-up; publicity and media coverage; technical rehearsals, dress rehearsals, first nights, last nights, get-ins and get-outs. Additional sections deal with special concerns and interests: producing plays in the open air; schools productions; producing plays with non-English speakers; expatriate productions; plays without scripts; producing Shakespeare and Brecht. The resources section includes plentiful information about helpful drama organisations.
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Dostęp do treści elektronicznej wymaga posiadania kodu dostępu, który można odebrać w bibliotece.
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Forma i typ
The Art of Acting provides a basic introduction and general advice for people wishing to develop their skills as actors or actresses. It is aimed at both the amateur enthusiast and for those wishing to pursue their interest further and undertake professional training. Advice is given on the basic skills which every actor needs to develop, such as breathing, voice control, the use of body language, timing and handling the audience. The importance of understanding a text and the interaction of the characters within it is considered, as is the relationship between the actor/actress and director. Auxiliary activities such as actors' exercises and warm-ups are evaluated and general advice provided. Specific skills are discussed, such as the learning of lines, mime, mastering dialects and accents, period manners, and ensuring that make-up is suitable to the role. Summaries of the ideas of famous theorists, directors and actors, are included such as: Stanislawski, Lee Strasberg, Michael Chekhov and Dorothy Heathcote; Peter Brook and Peter Hall; and John Gielgud, Laurence Olivier, Simon Callow, Ian McKellen, Judi Dench, Alec Guinness, Michael Caine and Dirk Bogarde. There is also some consideration of the differences between stage and screen acting; the problems of acting in the open air and the particular demands of certain playwrights, such as Shakespeare, and Brecht.
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