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The Collected Poems of Charlotte Perkins Gilman offers readers a glimpse into the lesser-known poetic works of this influential American author. Gilman's poetry showcases her progressive views on women's rights, social reform, and gender equality, themes that also permeate her well-known feminist fiction. Written in a straightforward and unflinching style, her poems provide a powerful commentary on the gender dynamics of the late 19th and early 20th centuries. Despite being overshadowed by her fiction, Gilman's poetry serves as a valuable contribution to the feminist literary canon. Readers will appreciate the depth and precision of her language, as well as the emotional resonance of her verse. Charlotte Perkins Gilman, a leading figure in the American feminist movement, used her writing to challenge societal norms and advocate for women's autonomy. The Collected Poems highlights Gilman's versatility as a writer, showcasing her ability to tackle complex social issues with clarity and insight. Her personal experiences as a woman struggling against patriarchal constraints undoubtedly influenced her work, making her poetry even more compelling and relevant today. For readers interested in feminist literature and the historical context of women's rights in America, The Collected Poems of Charlotte Perkins Gilman is a must-read. Gilman's poetry offers a unique perspective on gender, society, and power dynamics, making it a valuable addition to any literary collection.
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In 'The Collected Works of Charlotte Perkins Gilman: Short Stories, Novels, Poems & Essays', readers are introduced to a groundbreaking collection of feminist literature from the late 19th and early 20th centuries. Gilman's works often explore themes of gender inequality, women's rights, and the oppressive nature of the patriarchal society. Through her unique literary style, which combines realism with social commentary, Gilman challenges societal norms and offers thought-provoking insights into the struggle for women's autonomy and independence. Her narratives are both compelling and insightful, making this collection a must-read for those interested in feminist literature and social criticism. Charlotte Perkins Gilman, a prominent feminist and social reformer, drew inspiration from her own experiences to write about the plight of women in a male-dominated world. Her personal struggles with postpartum depression and divorce significantly influenced her writings, giving her a deep understanding of the challenges faced by women in the Victorian era. Gilman's passion for social justice is evident in her works, making her a key figure in the history of the women's movement. 'The Collected Works of Charlotte Perkins Gilman' is a powerful literary compilation that continues to resonate with readers today. It serves as a timeless reminder of the importance of gender equality and the ongoing fight for women's rights. This comprehensive collection is highly recommended for anyone interested in feminist literature, social activism, or the history of women's rights movements.
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Charlotte Perkins Gilman's 'The Complete Herland Trilogy: Moving the Mountain, Herland & With Her in Ourland' offers a captivating exploration of gender roles, society, and feminism in the early 20th century. Written in a thought-provoking and introspective style, the trilogy delves into the fictional utopian society of Herland where only women exist, challenging traditional notions of gender and power dynamics. Gilman's works are rich in symbolism and social commentary, making them essential reads for those interested in feminist literature and utopian fiction during the Progressive Era. Charlotte Perkins Gilman, a prominent figure in the women's rights movement, drew inspiration from her own experiences and beliefs to create the Herland trilogy. As a feminist thinker and social reformer, Gilman used her writing to advocate for gender equality and challenge societal norms, making her a groundbreaking voice in the early feminist movement. I highly recommend 'The Complete Herland Trilogy' to readers who are interested in exploring themes of gender, society, and feminism through the lens of speculative fiction. Gilman's compelling narratives and insightful commentary offer a unique perspective on the complexities of gender relations and societal structures.
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"In place of happy love, lonely pain. In place of motherhood, disease. Misery and shame, child. Medicine and surgery, and never any possibility of any child for me."First published in her magazine The Forerunner, Charlotte Perkins Gilman's The Crux is an emotive tale on the nuances of female independence, social expectation and love in early 20th century America.Following an all-female group who move west to open a boarding house for men, The Crux focuses on the experience of Vivian ― and her desire for the undesirable. Deeply in love with Morton, a charismatic young man infected with both syphilis and gonorrhoea, Vivian's expected journey through her 'marriage' years is abruptly turned upside down.Torn by her personal intuition, the advice provided by her female companions and the knowledge that Morton will never give her healthy children, Vivian is faced with a permanent choice ― to forfeit love for the benefit of future generations.Balancing female and male perspectives on illness, personal preservation and nationalism, The Crux tracks Vivian's path through heart break, emotional development and female camaraderie.As an allegory for Gilman's own branch of utopian feminism, The Crux is a story of sacrifice and partnership deliberation within the framework of 20th century disease hysteria, eugenic ideology and developing modernism.Often omitted from her writing canon, The Crux is an integral aspect to understanding not only Gilman's own writing ― but the history of feminism as a whole."The Crux is essentially a seminar in biological, feminine and social correctness. As stated in the original Forerunner publication, the novel was intended for a specific set of people - young and impressionable women primarily, followed by men and anyone else willing to listen. The Crux, in its barebones, is a nationalist parable for all of America to heed."from Ambrose Kelly's new introduction to The Crux* * *Charlotte Perkins Gilman (1860 – 1935) was an American humanist, novelist, writer of short stories, poetry and nonfiction, and a lecturer for social reform. She was a utopian feminist and served as a role model for future generations of feminists because of her unorthodox concepts and lifestyle.
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The Greatest Works of Charlotte Perkins Gilman is a collection of the most important writings by the prominent feminist author. Known for her groundbreaking feminist and social reformist ideas, Gilman's works are characterized by their strong advocacy for women's rights and critiques of traditional gender roles. Through her compelling narratives and thought-provoking essays, Gilman addresses issues such as gender inequality, domesticity, and the oppressive nature of patriarchal society. Her literary style is clear, direct, and persuasive, making her arguments both accessible and impactful to readers. This collection provides a comprehensive overview of Gilman's diverse body of work, showcasing her immense contribution to feminist literature and social activism. Charlotte Perkins Gilman, a prolific writer and lecturer, was deeply committed to advancing women's rights and challenging the status quo. Drawing from her own experiences, including a tumultuous marriage and struggles with postpartum depression, Gilman's writings often reflect her personal and political beliefs. Her influential essay 'The Yellow Wallpaper' remains a classic of feminist literature, revealing the detrimental effects of the rest cure on women's mental health. Gilman's advocacy for economic independence and educational opportunities for women continues to inspire readers worldwide. I highly recommend The Greatest Works of Charlotte Perkins Gilman to anyone interested in feminist literature, social reform, or simply in exploring the powerful voice of a pioneering female author. Gilman's writings are timeless in their relevance and offer valuable insights into the ongoing struggle for gender equality and women's empowerment.
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Charlotte Perkins Gilman's THE HERLAND TRILOGY: Moving the Mountain, Herland & With Her in Ourland (Complete Edition) is a groundbreaking feminist utopian fiction that challenges traditional gender roles and societal constructs. The trilogy explores the hypothetical society of Herland, a secluded all-female civilization free from the influence of men, highlighting themes of equality, motherhood, and the rejection of capitalist ideologies. Gilman's writing style is concise yet thought-provoking, captivating readers with her vivid descriptions of this idealistic world while also critiquing the limitations of the patriarchal society in which she lived. The Herland Trilogy stands as a classic work of feminist literature, inspiring generations of readers to envision a more equitable future for all. Charlotte Perkins Gilman, a prominent feminist and social reformer of the late 19th and early 20th centuries, draws upon her own experiences and observations to craft this thought-provoking trilogy. Influenced by her own struggles within a male-dominated society, Gilman's work serves as a powerful call to action for women's rights and liberation. I highly recommend THE HERLAND TRILOGY to readers interested in feminist literature, utopian fiction, and social critique, as it offers a thought-provoking exploration of gender, society, and the possibilities of a more equal world.
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This carefully crafted ebook: "The Herland Trilogy: Moving the Mountain, Herland, With Her in Ourland (Utopian Classic)" is formatted for your eReader with a functional and detailed table of contents. Moving the Mountain is a feminist utopian novel. The book was one element in the major wave of utopian and dystopian literature that marked the later nineteenth and early twentieth centuries. Perkins sends a man forward in time to a better world, but gives him deep difficulties in adjusting to it. Herland describes an isolated society composed entirely of women who reproduce via parthenogenesis. The result is an ideal social order, free of war, conflict and domination. The story is told from the perspective of Van Jennings, a student of sociology who, along with two friends, Terry O. Nicholson and Jeff Margrave, forms an expedition party to explore an area of unchartered land where it is rumored lives a society consisting entirely of women. The three friends do not really believe the rumors as they are unable to conceive of how human reproduction could occur without males. The men speculate about what a society of women would be like, each guessing differently based on the stereotype of women which he holds most dear… With Her in Ourland draws a contrast between Gilman's idealized vision of a feminist society in Herland and the darker realities of real, outside, male-dominated world. Charlotte Perkins Gilman (1860-1935) was a prominent American feminist, sociologist, novelist, writer of short stories, poetry, and nonfiction, and a lecturer for social reform.
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In 'The Humanness of Women' by Charlotte Perkins Gilman, the author explores the societal and psychological constraints placed upon women in the late 19th century. Through a series of interconnected essays and vignettes, Gilman delves into the complexities of womanhood, challenging the prevailing notions of feminine identity and highlighting the importance of women's autonomy. Her writing style is characterized by its clarity and directness, making her arguments all the more compelling in a time of growing feminist activism and advocacy. By intertwining personal anecdotes with sociopolitical critique, Gilman creates a powerful narrative that speaks to the universal experiences of women across generations. Charlotte Perkins Gilman, a prominent feminist and social reformer, drew inspiration from her own tumultuous life experiences to pen 'The Humanness of Women'. Her ongoing struggle for gender equality and her commitment to advancing women's rights fueled her writing, infusing the book with a sense of urgency and passion. Gilman's background as a prolific author and lecturer further showcases her dedication to promoting gender equity and social justice. I highly recommend 'The Humanness of Women' to readers interested in feminist literature, gender studies, and social history. Gilman's insightful analysis and thought-provoking commentary offer a valuable perspective on the enduring challenges faced by women, making this book an essential read for anyone seeking a deeper understanding of gender dynamics and societal norms.
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In 'The Humanness of Women: The Theory & Practice of Feminism (Including Various Essays & Sketches)' by Charlotte Perkins Gilman, readers are immersed in a profound exploration of the role of women in society. Through a collection of essays and sketches, Gilman eloquently argues for the recognition of women as fully human beings with the same rights and capabilities as men. Her writing style is both eloquent and persuasive, making a compelling case for gender equality. The book serves as a significant contribution to feminist literature, highlighting the importance of women's rights and empowerment in the late 19th and early 20th centuries. Gilman's work remains relevant in contemporary discussions on feminism and gender equality. Charlotte Perkins Gilman, a prominent feminist and social reformer of her time, drew inspiration from her own experiences and observations of the challenges faced by women in a patriarchal society. This book reflects her passion for advocating for women's rights and challenging traditional gender roles. Gilman's personal struggles and triumphs undoubtedly influenced her writing, making her a respected voice in the feminist movement. I highly recommend 'The Humanness of Women' to readers interested in feminist theory and the history of women's rights. Gilman's compelling arguments and insightful perspectives offer valuable insights into the ongoing struggle for gender equality and the importance of recognizing the humanness of women in all aspects of society.
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The Yellow Wallpaper is a 6,000-word short story by the American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine. It is regarded as an important early work of American feminist literature, illustrating attitudes in the 19th century toward women's health, both physical and mental. Presented in the first person, the story is a collection of journal entries written by a woman whose physician husband (John) has rented an old mansion for the summer. Forgoing other rooms in the house, the couple moves into the upstairs nursery. As a form of treatment, the unnamed woman is forbidden from working, and is encouraged to eat well and get plenty of exercise and air, so she can recuperate from what he calls a "temporary nervous depression – a slight hysterical tendency", a diagnosis common to women in that period. She hides her journal from her husband and his sister the housekeeper, fearful of being reproached for overworking herself. The room's windows are barred to prevent children from climbing through them, and there is a gate across the top of the stairs, though she and her husband have access to the rest of the house and its adjoining estate. The story depicts the effect of understimulation on the narrator's mental health and her descent into psychosis. With nothing to stimulate her, she becomes obsessed by the pattern and color of the wallpaper. "It is the strangest yellow, that wall-paper! It makes me think of all the yellow things I ever saw – not beautiful ones like buttercups, but old foul, bad yellow things. But there is something else about that paper – the smell! ... The only thing I can think of that it is like is the color of the paper! A yellow smell." In the end, she imagines there are women creeping around behind the patterns of the wallpaper and comes to believe she is one of them. She locks herself in the room, now the only place she feels safe, refusing to leave when the summer rental is up.
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The Yellow Wallpaper Charlotte Perkins Gilman - The Yellow Wallpaper is regarded as an important early work of American feminist literature, illustrating attitudes in the nineteenth century toward women's physical and mental health. The story also has been classified as Gothic fiction and horror fiction. The story is written as a collection of first person journal entries written by a woman whose physician husband has confined her to the upstairs bedroom of a house that he has rented for the summer. She is forbidden from working, and has to hide her journal entries from him, so that she can recuperate from what he calls a "temporary nervous depression-a slight hysterical tendency," a diagnosis common to women in that period. Her husband controls her access to the rest of the house. In the end, she imagines that there are women creeping around behind the patterns of the wallpaper, and comes to believe that she is one of them. She locks herself in the room, now the only place where she feels safe, refusing to leave when the summer rental is up.
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Edited with a new introduction by Aimee McLaughlin"The Yellow Wallpaper" by American writer Charlotte Perkins Gilman, first published in January 1892, is regarded as an important early work of American feminist literature for its illustration of the attitudes towards mental and physical health of women in the 19th century.What happens when a woman is pushed too far? Is she able to express her thoughts and feelings, or is she forced towards the expectation of behaving 'normally' again soon?A woman travels with her husband to an old colonial mansion after a nervous breakdown triggered by the birth of their child. Confined to the nursery and allowed only to breathe fresh air, eat well and rest in line with a regimented 'cure', she slowly begins to unravel at the seams. Her only distraction is writing in secret – that, and the woman she begins to see trapped inside the yellow wallpaper of the room itself.Isolated and breaking apart, she sets herself a task: to free the woman, and to become one with her temporary confinement.Charlotte Perkins-Gilman's 'The Yellow Wallpaper' presents a harrowing, disturbing account of mental stress, confinement and female turmoil - within which the only available solace can be found inside four peeling, sickly yellow walls ...Our new edition also features the sequence of poems "Woman" by Charlotte Perkins Gilman."The gothic genre offers Gilman an effective mode of diagnosing contemporary culture whilst in tandem expressing her ensuing fears and anxieties. Gilman within this novella, gothicises the domestic setting, inverting the pillars of domesticity: family, security and understanding, in turn unveiling the dangers lurking behind the familiarity of gender roles within marital relations. The intimate first-person narration of the narrative serves to enhance Gilman's exposure of the oppressive forces of a male-dominated society, as she deplores her protagonist's inferior position in her domestic arrangement. The female narrator is encumbered by masculine superiority, undoubtedly dwelling in the middle of patriarchy. Embedded within her characterisation is the subjugated role bestowed upon Victorian women. Gilman projects derangement onto a familiar literary figure ― the middle−class wife and mother ― placing the source of this madness in the inviolate sphere for dutiful women ― the home."from the new introduction to The Yellow Wallpaper by Aimee McLaughlin
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It is very seldom that mere ordinary people like John and myself secure ancestral halls for the summer. A colonial mansion, a hereditary estate, I would say a haunted house, and reach the height of romantic felicity—but that would be asking too much of fate! Still I will proudly declare that there is something queer about it. Else, why should it be let so cheaply? And why have stood so long untenanted? John laughs at me, of course, but one expects that in marriage. John is practical in the extreme. He has no patience with faith, an intense horror of superstition, and he scoffs openly at any talk of things not to be felt and seen and put down in figures. John is a physician, and PERHAPS—(I would not say it to a living soul, of course, but this is dead paper and a great relief to my mind)—PERHAPS that is one reason I do not get well faster. You see he does not believe I am sick! And what can one do?
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"The Yellow Wallpaper" (original title: "The Yellow Wall-paper. A Story") is a short story by American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine. It is regarded as an important early work of American feminist literature for its illustration of the attitudes towards mental and physical health of women in the 19th century.Narrated in the first person, the story is a collection of journal entries written by a woman whose physician husband (John) has rented an old mansion for the summer. Forgoing other rooms in the house, the couple moves into the upstairs nursery. As a form of treatment, the husband forbids the unnamed woman from working or writing and encourages her to eat well and get plenty of air so that she can recuperate from what he calls a "temporary nervous depression a slight hysterical tendency", a diagnosis common to women during that period.
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In the Longsellers collection, you will find the most read and loved books of all time.Published in 1892, The Yellow Wallpaper, became a classic whenever we talk about feminist literature.The story, told in the format of a diary, tells the story of a woman confined to a room in a country house, under the pretext of treating a condition of "depression and hysteria. Lonely and having her life closely controlled by her husband, she begins to obsess over the wallpaper in her room.Charlotte Perkins Gilman is regarded as pioneer in American feminism. Also known for the utopian feminist novel Herland and its sequel, With Her in Ourland.This book includes 10 short stories by the author, including The Yellow Wallpaper and an essay by the author about her creative process, called "Why I Wrote The Yellow Wallpaper."We hope you'll love this book as much we do, and don't forget to check the rest of the collection for more beloved classics.
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With Her in Ourland Charlotte Perkins Gilman - Sequel to Herland.Published serially in the author's monthly magazine, Forerunner, volume 7 (1916).Herland described an all-women utopia in a secluded high valley, where 3 adventurous young men visit by airplane. Eventually, 2 of the 3 are expelled, along with a young Herland woman who has married one of the men. With Her in Ourland continues as the husband and wife tour the world outside of Herland, interviewing people, taking notes and photographs, and discussing history, religions, war, child-rearing, the role of women, treatment of immigrants, women's suffrage, and more. The two novels together convey the author's social criticisms of our world at her time and her prescriptions to improve the human condition in the United States.
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Charlotte Perkins Gilman's groundbreaking work, Women & Economics, provides a compelling analysis of the economic and social status of women in the late 19th century. Through a combination of empirical data and philosophical arguments, Gilman challenges the traditional gender roles and advocates for economic independence for women. Her writing style is both engaging and persuasive, drawing on personal experiences and societal observations to make her case. The book serves as a significant contribution to the feminist movement and continues to be relevant in discussions of gender equality and women's rights. Women & Economics is a must-read for anyone interested in feminist literature and the history of women's struggle for autonomy and agency.
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This carefully crafted ebook: "Women and Economics - A Study of the Economic Relation Between Men and Women as a Factor in Social Evolution" is formatted for your eReader with a functional and detailed table of contents. Women and Economics - A Study of the Economic Relation Between Men and Women as a Factor in Social Evolution is a book written by Charlotte Perkins Gilman and published in 1898. It is considered by many to be her single greatest work, and as with much of Gilman's writing, the book touched a few dominant themes: the transformation of marriage, the family, and the home, with her central argument: "the economic independence and specialization of women as essential to the improvement of marriage, motherhood, domestic industry, and racial improvement." The 1890s were a period of intense political debate and economic challenges, with the Women's Movement seeking the vote and other reforms. Women were "entering the work force in swelling numbers, seeking new opportunities, and shaping new definitions of themselves." It was near the end of this tumultuous decade that Gilman's very popular book emerged. Charlotte Perkins Gilman (1860-1935) was a prominent American feminist, sociologist, novelist, writer of short stories, poetry, and nonfiction, and a lecturer for social reform. She was a utopian feminist during a time when her accomplishments were exceptional for women, and she served as a role model for future generations of feminists because of her unorthodox concepts and lifestyle. Her best remembered work today is her semi-autobiographical short story "The Yellow Wallpaper" which she wrote after a severe bout of postpartum psychosis.
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Women and Economics Charlotte Perkins Gilman - Women and Economics. A Study of the Economic Relation Between Men and Women as a Factor in Social Evolution is a book written by Charlotte Perkins Gilman and published in 1898. It is considered by many to be her single greatest work, and as with much of Gilman's writing, the book touched a few dominant themes: the transformation of marriage, the family, and the home, with her central argument: the economic independence and specialization of women as essential to the improvement of marriage, motherhood, domestic industry, and racial improvement.Startling in its observations and radical in its conclusions, this classic of women's rights literature, this work-by pioneering American feminist CHARLOTTE PERKINS GILMAN (1860-1935)-was a phenomenon when it was first published in 1898, and was eventually translated into in seven languages and reprinted around the world. From her characterization of women as virtual economic, social, and sexual slaves, dependent on men for everything from food to friendship to protection, to her call for women to free themselves from these shackles, Women and Economics electrified Victorian readers. It remains a foundational work of feminist theory, essential reading for anyone wishing to understand women's struggle for full and self-determined personhood .
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Women and Economics - A Study of the Economic Relation Between Men and Women as a Factor in Social Evolution is a book written by Charlotte Perkins Gilman and published in 1898. It is considered by many to be her single greatest work, and as with much of Gilman's writing, the book touched a few dominant themes: the transformation of marriage, the family, and the home, with her central argument: "the economic independence and specialization of women as essential to the improvement of marriage, motherhood, domestic industry, and racial improvement." The 1890s were a period of intense political debate and economic challenges, with the Women's Movement seeking the vote and other reforms. Women were "entering the work force in swelling numbers, seeking new opportunities, and shaping new definitions of themselves." It was near the end of this tumultuous decade that Gilman's very popular book emerged. Charlotte Perkins Gilman (1860-1935) was a prominent American feminist, sociologist, novelist, writer of short stories, poetry, and nonfiction, and a lecturer for social reform. She was a utopian feminist during a time when her accomplishments were exceptional for women, and she served as a role model for future generations of feminists because of her unorthodox concepts and lifestyle. Her best remembered work today is her semi-autobiographical short story "The Yellow Wallpaper" which she wrote after a severe bout of postpartum psychosis.
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