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The Age of Innocence is Edith Wharton's twelfth novel, initially serialized in four parts in the Pictorial Review magazine in 1920, and later released by D. Appleton and Company as a book in New York and in London. It won the 1921 Pulitzer Prize for Fiction, making Wharton the first woman to win the prize. Though the committee initially agreed to award the prize to Sinclair Lewis, the judges rejected his Main Street on political grounds and "established Wharton as the American 'First Lady of Letters'", the irony being that the committee had awarded The Age of Innocence the prize on grounds that negated Wharton's own blatant and subtle ironies, which constitute and make the book so worthy of attention. The story is set in upper-class New York City in the 1870s, during the Gilded Age. Wharton wrote the book in her 50s, after she had established herself as a strong author with publishers clamoring for her work. The Age of Innocence centers on an upper-class couple's impending marriage, and the introduction of the bride's cousin, plagued by scandal, whose presence threatens their happiness. Though the novel questions the assumptions and morals of 1870s New York society, it never develops into an outright condemnation of the institution.The novel is noted for Wharton's attention to detail and its accurate portrayal of how the 19th-century East Coast American upper class lived, and the social tragedy of its plot. Wharton was 58 years old at publication; she had lived in that world and had seen it change dramatically by the end of World War I. The title is an ironic comment on the polished outward manners of New York society when compared to its inward machinations. It is believed to have been drawn from the popular 1785 painting A Little Girl by Sir Joshua Reynolds that later became known as The Age of Innocence and was widely reproduced as the commercial face of childhood in the later half of the 18th century.
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The House of Mirth, a novel by Edith Wharton (1862–1937), tells the story of Lily Bart, a well-born but impoverished woman belonging to New York City's high society around the turn of the last century. Wharton creates a portrait of a stunning beauty who, though raised and educated to marry well both socially and economically, is reaching her 29th year, an age when her youthful blush is drawing to a close and her marital prospects are becoming ever more limited. The House of Mirth traces Lily's slow two-year social descent from privilege to a tragically lonely existence on the margins of society. Wharton uses Lily as an attack on "an irresponsible, grasping and morally corrupt upper class." Before publication as a book on October 14, 1905, The House of Mirth was serialized in Scribner's Magazine beginning in January 1905. It attracted a readership among housewives and businessmen alike. Charles Scribner wrote Edith in November 1905 that the novel was showing "the most rapid sale of any book ever published by Scribner." By the end of December sales had reached 140,000 copies. Edith's royalties were valued at more than half a million dollars in today's currency. The commercial and critical success of The House of Mirth solidified Wharton's reputation as a major novelist. Because of the novel's commercial success, some critics classified it as a genre novel. However, Edith's pastor, then rector of Trinity Church in Manhattan, wrote to tell her that her novel was "a terrible but just arraignment of the social misconduct which begins in folly and ends in moral and spiritual death." This moral purpose was not lost on the literary reviewers and critics of the time who tended to categorize it as both social satire and a novel of manners. Carol Singley in her Introduction to Edith Wharton's The House of Mirth: A Case Book states, "[The House of Mirth] is a unique blend of romance, realism, and naturalism,[and thus] transcends the narrow classification of a novel of manners."
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Leaves of Grass is a poetry collection by the American poet Walt Whitman. Though the first edition was published in 1855, Whitman spent most of his professional life writing and re-writing Leaves of Grass, revising it multiple times until his death. This resulted in vastly different editions over four decades.the first a small book of twelve poems and the last a compilation of over 400. The poems of Leaves of Grass are loosely connected, with each representing Whitman's celebration of his philosophy of life and humanity. This book is notable for its discussion of delight in sensual pleasures during a time when such candid displays were considered immoral. Where much previous poetry, especially English, relied on symbolism, allegory, and meditation on the religious and spiritual, Leaves of Grass (particularly the first edition) exalted the body and the material world. Influenced by Ralph Waldo Emerson and the Transcendentalist movement, itself an offshoot of Romanticism, Whitman's poetry praises nature and the individual human's role in it. However, much like Emerson, Whitman does not diminish the role of the mind or the spirit; rather, he elevates the human form and the human mind, deeming both worthy of poetic praise. With one exception, the poems do not rhyme or follow standard rules for meter and line length. Among the poems in the collection are "Song of Myself", "I Sing the Body Electric", "Out of the Cradle Endlessly Rocking". Later editions included Whitman's elegy to the assassinated President Abraham Lincoln, "When Lilacs Last in the Dooryard Bloom'd". Leaves of Grass was highly controversial during its time for its explicit sexual imagery, and Whitman was subject to derision by many contemporary critics. Over time, the collection has infiltrated popular culture and been recognized as one of the central works of American poetry.
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Though he is now best remembered for his fiction, famed wit and bon vivant Oscar Wilde also dabbled in drama over the course of his long and varied literary career. A Woman of No Importance is a darkly comedic play about a group of aristocrats whose prim adherence to decorum hides a bevy of scandalous secrets.
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Salome / Oscar Wilde. - [miejsce nieznane] : Sheba Blake Publishing : Legimi, 2017.
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Salome was the daughter of Herod II and Herodias. She is infamous for demanding and receiving the head of John the Baptist, according to the New Testament. According to Flavius Josephus's Jewish Antiquities, Salome was first married to Philip the Tetrarch of Ituraea and Trakonitis. After Philip's death in 34 AD she married Aristobulus of Chalcis and became queen of Chalcis and Armenia Minor. They had three children. Three coins with portraits of Aristobulus and Salome have been found. Her name in Hebrew is שלומית (Shlomiẗ, pronounced [ʃlomiθ]) and is derived from the root word שָׁלוֹם (shalom), meaning "peace". Salome is often identified with the unnamed dancing woman in the New Testament (Mark 6:17-29 and Matthew 14:3-11). Christian traditions depict her as an icon of dangerous female seductiveness, notably in regard to the dance mentioned in the New Testament, which is thought to have had an erotic element to it, and in some later transformations it has further been iconized as the Dance of the Seven Veils. Other elements of Christian tradition concentrate on her lighthearted and cold foolishness that, according to the gospels, led to John the Baptist's death. A similar motif was struck by Oscar Wilde in his Salome, in which she plays the role of femme fatale. This parallel representation of the Christian iconography, made even more memorable by Richard Strauss' opera based on Wilde's work, is as consistent with Josephus' account as the traditional Christian depiction; however, according to the Romanized Jewish historian, Salome lived long enough to marry twice and raise several children. Few literary accounts elaborate the biographical data given by Josephus.
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Wilde, glamorous and notorious, more famous as a playwright or prisoner than as a poet, invites readers of his verse to meet an unknown and intimate figure. The poetry of his formative years includes the haunting elegy to his young sister and the grieving lyric at the death of his father. The religious drama of his romance with Rome is captured here, as well as its resolution in his renewed love of ancient Greece. He explores forbidden sexual desires, pays homage to the great theatre stars and poets of his day, observes cityscapes with impressionist intensity. His final masterpiece, The Ballad of Reading Gaol, tells the painful story of his own prison experience and calls for universal compassion. This edition of Wilde's verse presents the full range of his achievement as a poet.
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The Canterville Ghost is a short story by Oscar Wilde, widely adapted for the screen and stage. It was the first of Wilde's stories to be published, appearing in two parts in The Court and Society Review, 23 February and 2 March 1887. The story is about a family who moves to a castle haunted by the ghost of a dead nobleman, who killed his wife and was starved to death by his wife's brothers. The home of the Canterville Ghost was the ancient Canterville Chase, which has all the accoutrements of a traditional haunted house. Descriptions of the wainscoting, the library panelled in black oak, and the armour in the hallway characterise the setting. Wilde mixes the macabre with comedy, juxtaposing devices from traditional English ghost stories such as creaking floorboards, clanking chains, and ancient prophecies.
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The Happy Prince is a collection of stories for children by Oscar Wilde first published in May 1888. It contains five stories: "The Happy Prince", "The Nightingale and the Rose", "The Selfish Giant", "The Devoted Friend", and "The Remarkable Rocket". In a town where a lot of poor people suffer and where there are a lot of miseries, a swallow who was left behind after his flock flew off to Egypt for the winter, meets the statue of the late "Happy Prince", who on reality has never experienced true sorrow, for he lived in a palace where sorrow isn't allowed to enter. Viewing various scenes of people suffering in poverty from his tall monument, the Happy Prince asks the swallow to take the ruby from his hilt, the sapphires from his eyes, and the golden leaf covering his body to give to the poor. As the winter comes and the Happy Prince is stripped of all of his beauty, his lead heart breaks when the swallow dies as a result of his selfless deeds and severe cold. The statue is then brought down from the pillar and melted in a furnace leaving behind the broken heart and the dead swallow and they are thrown in a dust heap. These are taken up to heaven by an angel that has deemed them the two most precious things in the city. This is affirmed by God and they live forever in his city of gold and garden of paradise.
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The Importance of Being Earnest is a play by Oscar Wilde. First performed on 14 February 1895 at the St James's Theatre in London, it is a farcical comedy in which the protagonists maintain fictitious personæ to escape burdensome social obligations. Working within the social conventions of late Victorian London, the play's major themes are the triviality with which it treats institutions as serious as marriage, and the resulting satire of Victorian ways. Contemporary reviews all praised the play's humour, though some were cautious about its explicit lack of social messages, while others foresaw the modern consensus that it was the culmination of Wilde's artistic career so far. Its high farce and witty dialogue have helped make The Importance of Being Earnest Wilde's most enduringly popular play. The successful opening night marked the climax of Wilde's career but also heralded his downfall. The Marquess of Queensberry, whose son Lord Alfred Douglas was Wilde's lover, planned to present the writer with a bouquet of rotten vegetables and disrupt the show. Wilde was tipped off and Queensberry was refused admission. Soon afterwards their feud came to a climax in court, where Wilde's homosexual double life was revealed to the Victorian public and he was eventually sentenced to imprisonment. His notoriety caused the play, despite its early success, to be closed after 86 performances. After his release, he published the play from exile in Paris, but he wrote no further comic or dramatic work. The Importance of Being Earnest has been revived many times since its premiere. It has been adapted for the cinema on three occasions. In The Importance of Being Earnest (1952), Dame Edith Evans reprised her celebrated interpretation of Lady Bracknell;
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The Picture of Dorian Gray is a philosophical novel by Oscar Wilde, first published complete in the July 1890 issue of Lippincott's Monthly Magazine. The magazine's editor feared the story was indecent, and without Wilde's knowledge, deleted roughly five hundred words before publication. Despite that censorship, The Picture of Dorian Gray offended the moral sensibilities of British book reviewers, some of whom said that Oscar Wilde merited prosecution for violating the laws guarding the public morality. In response, Wilde aggressively defended his novel and art in correspondence with the British press, although he personally made excisions of some of the most controversial material when revising and lengthening the story for book publication the following year. The longer and revised version of The Picture of Dorian Gray published in book form in 1891 featured an aphoristic preface—a defence of the artist's rights and of art for art's sake—based in part on his press defences of the novel the previous year. The content, style, and presentation of the preface made it famous in its own right, as a literary and artistic manifesto.
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A Damsel in Distress is a novel by P. G. Wodehouse. It had previously been serialised in The Saturday Evening Post, between May and June that year. Golf-loving American composer George Bevan falls in love with a mysterious young lady who takes refuge in his taxicab one day; when he tracks her down to a romantic rural manor, mistaken identity leads to all manner of brouhaha. The story was made into a silent, black-and-white movie in 1919. In 1928 Wodehouse collaborated with Ian Hay in adapting the book for the stage: Hay, Wodehouse and A. A. Milne invested in the production, about which Wodehouse said "I don't think we shall lose our money, as Ian has done an awfully good job." The play, which opened at the New Theatre, London, on 13 August 1928, had a successful run of 234 performances. Wodehouse was involved in adapting the novel as a musical in 1937. A Damsel in Distress is a 1937 English-themed Hollywood musical comedy film starring Fred Astaire, Joan Fontaine, George Burns, and Gracie Allen. With a screenplay by P. G. Wodehouse, loosely based on his novel of the same name, music and lyrics by George and Ira Gershwin, it is directed by George Stevens.
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A Prefect's Uncle is an early novel by P.G. Wodehouse, one of his school stories for children. The action of the novel takes place at the fictional "Beckford College", a private school for boys; the title alludes to the arrival at the school of a mischievous young boy called Reginald Farnie, who turns out to be the uncle of the older "Bishop" Gethryn, a prefect, cricketer and popular figure in the school. His arrival, along with that of another youngster, Wilson, who becomes a personal servant to Gethryn, leads to much excitement and scandal in the school, and the disruption of some important cricket matches.
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A collection of wonderful articles, poems, and stories by that master of comedy and complications, P. G. Wodehouse, the author of My Man Jeeves. Includes "Some Aspects of Game-Captaincy," "An Unfinished Collection," "The New Advertising," "The Secret Pleasures of Reginald," "My Battle with Drink," "In Defense of Astigmatism," "Jeeves Takes Charge," and much more.
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My Man Jeeves is a collection of short stories by P. G. Wodehouse. Of the eight stories in the collection, half feature the popular characters Jeeves and Bertie Wooster, while the others concern Reggie Pepper, an early prototype for Wooster. Although the book was not published in the United States, all the stories had appeared there, mostly in The Saturday Evening Post or Collier's Weekly, and in the Strand in the UK, prior to the publication of the UK book. Several appeared later in rewritten form in Carry on, Jeeves (1925), such as "Helping Freddie", which in its later incarnation was called "Fixing It for Freddie" and featured Jeeves and Wooster. The other Reggie Pepper stories were included in the U.S. version of The Man with Two Left Feet (1917). Jeeves and Wooster had first appeared in the short story "Extricating Young Gussie", which appeared in the Saturday Evening Post in 1915, and was included in The Man with Two Left Feet.
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Jacob's Room is the third novel by Virginia Woolf, first published on 26 October 1922. The novel centres, in a very ambiguous way, around the life story of the protagonist Jacob Flanders and is presented almost entirely through the impressions other characters have of Jacob. Thus, although it could be said that the book is primarily a character study and has little in the way of plot or background, the narrative is constructed with a void in place of the central character if, indeed, the novel can be said to have a 'protagonist' in conventional terms. Motifs of emptiness and absence haunt the novel and establish its elegiac feel. Jacob is described to us, but in such indirect terms that it would seem better to view him as an amalgam of the different perceptions of the characters and narrator. He does not exist as a concrete reality, but rather as a collection of memories and sensations. Set in pre-war England, the novel begins in Jacob's childhood and follows him through college at Cambridge and into adulthood. The story is told mainly through the perspectives of the women in Jacob's life, including the repressed upper-middle-class Clara Durrant and the uninhibited young art student Florinda, with whom he has an affair. His time in London forms a large part of the story, though towards the end of the novel he travels to Italy and then Greece.
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The Swiss Family Robinson is a novel by Johann David Wyss, first published in 1812, about a Swiss family shipwrecked in the East Indies en route to Port Jackson, Australia. The novel opens with the family in the hold of a sailing ship, weathering a great storm. The ships' passengers evacuate without them, and William and Elizabeth and their four children (Fritz, Ernest, Jack and Francis) are left to survive alone. As the ship tosses about, the father - William - prays that God will spare them. The ship survives the night and the family finds themselves within sight of a tropical desert island. The next morning, they decide to get to the island they can see beyond the reef. With much effort, they construct a vessel out of tubs. After they fill the tubs with food and ammunition and all other articles of value they can safely carry, they row toward the island. Two dogs from the ship named Turk and Juno swim beside them. The ship's cargo of livestock (including chickens, domestic ducks, domestic geese, and domestic pigeons), guns & powder, carpentry tools, books, a disassembled pinnace, and provisions have survived. Upon reaching the island, the family set up a makeshift camp. The father knows that they must prepare for a long time on the island and his thoughts are as much on provisions for the future as for their immediate wants. William and his oldest son Fritz spend the next day exploring the island. The family spends the next few days securing themselves against hunger. William and Fritz make several trips to the ship in their efforts to bring ashore everything useful from the vessel. The domesticated animals on the ship are towed back to the island. There is also a great store of firearms and ammunition, hammocks for sleeping, carpenter's tools, lumber, cooking utensils, silverware, and dishes. Initially they construct a treehouse, but as time passes , they settle in a more permanent dwelling in part of a cave.
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Written when the author was in her early twenties, and now regarded as Yonge's first serious work of fiction, Abbeychurch grapples with both serious theological issues pertaining to the schism between Broad, High and Low factions in the Church of England, as well as with the struggles of ego and impulse that are common in adolescence and early adulthood. A gripping and sophisticated example of women's nineteenth-century fiction.
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Nana / Émile Zola. - [miejsce nieznane] : Sheba Blake Publishing : Legimi, 2017.
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Nana is a novel by the French naturalist author Émile Zola. Nana is the ninth installment in the 20-volume Les Rougon-Macquart series. Nana tells the story of Nana Coupeau's rise from streetwalker to high-class prostitute during the last three years of the French Second Empire. Nana first appeared near the end of Zola's earlier novel Rougon-Macquart series, L'Assommoir (1877), where she is the daughter of an abusive drunk. At the conclusion of that novel, she is living in the streets and just beginning a life of prostitution. Nana opens with a night at the Théâtre des Variétés in April 1867 just after the Exposition Universelle has opened. Nana is eighteen years old, though she would have been fifteen according to the family tree of the Rougon-Macquarts Zola had published years before starting work on this novel. Zola describes in detail the performance of La blonde Vénus, a fictional operetta modeled after Offenbach's La belle Hélène, in which Nana is cast as the lead. All of Paris is talking about her, though this is her first stage appearance. When asked to say something about her talents, Bordenave, the manager of the theatre, explains that a star does not need to know how to sing or act: "Nana has something else, dammit, and something that takes the place of everything else. I scented it out, and it smells damnably strong in her, or else I lost my sense of smell." Just as the crowd is about to dismiss her performance as terrible, young Georges Hugon shouts: "Très chic!" From then on, she owns the audience. Zola describes her appearance only thinly veiled in the third act: "All of a sudden, in the good-natured child the woman stood revealed, a disturbing woman with all the impulsive madness of her sex, opening the gates of the unknown world of desire. Nana was still smiling, but with the deadly smile of a man-eater."
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A College Girl is a fictional novel written by Mrs George de Horne Vaizey. Darsie's humdrum life takes a left turn when an ailing elderly aunt invites her to move in. Along the way, Darsie becomes fast friends with an upper-crust family in town, leading to many madcap adventures. After her aunt passes away, Darsie finds out that she has inherited enough money to attend college. She embarks on a life-changing experience at school -- and in love. Jessie Bell (1857 – 23 January 1917), later Jessie Mansergh, was an English writer born in Liverpool, who wrote under her married name Mrs George de Horne Vaizey. De Horne Vaizey was the daughter of Scottish insurance broker David Bell, and his wife, Elizabeth Morris Barton, and had six siblings, four brothers and two sisters. She married Henry Mansergh, a cotton broker, in 1883. They had a daughter, Gwyneth Alice, in 1886. She met her second husband, George de Horne Vaizey, on a Mediterranean cruise, which she won in a short story competition. Her son, named George after his father, also became a writer. As her biography at Athelstane Books notes, "She often used her own varied experiences in her books. She used situations from her early life in a large family, her first husband's addiction and death, and her own illnesses in her novels." De Horne Vaizey's daughter Gwyneth, nicknamed Kit, was the inspiration for the character Kitty in her 1902 work "A Houseful of Girls". The author mentions that Gwyneth really did share lessons with a family of five sisters, who "in many ways were like the hook Rendells. Chrystabel is as like as I could make her and they all talk In that funny way, emphasising every second or third word." De Horne Vaizey was an invalid for many years before her death. The Sydney Morning Herald obituary mentions that she had been "an Invalid, crippled and confined to her bed for years".
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A suspicious accident reveals itself to be a murder! 32 Caliber is narrated by a lawyer who turns detective in order to uncover the real murderer, and leads us on a chase through Bolshevik headquarters, country clubs, and a dry creek bed, before the real clues come to light. Up-in-the-air excitement!
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